"I am glad to hear father's portrait is a good one and when yours shall have been finished and the two hung up to adorn the walls of Poplar Grove, I hope it will [be] a sufficient incentive...to keep the old place in the hands of the family, secure from the pollution of strangers, for at least two or three generations."
Included below are the two portraits William mentioned. On the left is the matronly, yet judging by her letters as a child and adult, very active and independent Anna Maria. On the right is her husband Thomas.
More than 170 years after William wrote to his mother, Poplar Grove remains in Emory hands. For a family that so tied its identity to the soil at Poplar Grove, it makes me wonder whether that by processing these records for public use are we inviting "strangers" (including myself) "into the old place" against William's wishes. But then again, there would be no history without such measures. And I'd be out of a job.
My hat is off to a family that felt such a responsibility to the land and to one another.
1 comment:
The two portraits remain in family hands as well ... thanks very much to the Emory descendants who kindly made them available to us.
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